Featured Graphics: Patika Coffee & Superthing Coffee

We are thrilled that we were called on to print signage for Patika coffee on South Lamar.  We produced their safety guidelines and temporary outdoor menu on coroplast and aluminum which make for a durable duo. The folks over at Patika cleverly hung their signage with removable hangers, making sure the signs were secure and weatherproof.

Located at 2159 South Lamar, Patika is open for online and in-person orders. They have plenty of parking at the back of the building and space to wait for your order while maintaining distance from employees and other customers.

We also helped Patika’s sister company, Superthing Coffee, develop contour cut coffee stickers as well as business cards, which created a distinct look for their coffee bags and branding. Superthing is roasted locally and served at Patika as well as Mañana, Brew and Brew, Olamaie, Creature Coffee and a few other places. It is also available online for single purchase and subscriptions at superthingcoffee.com

As you can see, Miller’s takes pride in working with local businesses. Let us help when the time comes to open your business or office. We’d appreciate your support! 

 

 

 

June Artist of the Month: Rachel Hurst

 

Rachel Hurst moved to Austin with her family when she was in fifth grade and is the eighth and youngest child of famed western artist Oleg Stavrowsky and her beloved mother, Carol Stavrowsky. Growing up, she was surrounded by world-class art created by her father and siblings. In this way, she was lucky to be trained in the principals of good painting design and technique through exposure.

No stranger to competition, she spent her childhood devoted to competitive figure skating, she holds a national 8-ball title, and she won a tournament qualifying her to play on the World­­ Series of Poker (where she was summarily kicked to the curb… you can’t win ‘em all!). She formerly competed on the Women’s Professional Billiard Association Tour.

Hurst earned a BA in Psychology from the University of Washington and lived in Seattle for about 10 years before returning to Austin. Hurst is an avid cruciverbalist and lives with her husband Travis and three cats in Austin, Texas.

Rachel began discovering her passion for fine art incorporating two of her favorite things: animals & design.  She utilizes color, pattern, and abstract design to frame the animals in the way they make her feel when she looks at them.  She is well known for her pet portraits, and she donates 10% of all of her art sale profits to animal charities, most notably Safe In Austin.

“Most of my work incorporates some kind of abstract background juxtaposed with a representational animal. I like the contrast of the two styles and think it brings a dynamic to a painting that a traditional background does not. I do paint the occasional traditional background, but it doesn’t usually compel me like creating a complimentary abstract background does. I’ve been painting fine art for just under two years, so my style is definitely still evolving.”

“Part of that evolution includes branching out into what I call more stylized paintings – ones like “American Chicken.” That kind of whimsical, interpretive painting feels like pure joy to me.  I equate it to being like a little kid playing in the mud. Many people don’t really understand that kind of art… so it doesn’t tend to have the same wide commercial appeal as my more representational stuff, but those who appreciate that style really do seem to enjoy it as much as I enjoy painting it. That’s extremely gratifying! The design requirements are the same in an abstract or stylized painting as they are in a representational painting—the composition, balance, and color juxtaposition all need to be diligently designed. In that way, it isn’t any less work for me as the artist—but the freedom to be funny and sometimes goofy with the compositions makes it a different process than with the representational paintings.”

“American Chicken started out as a representational painting. I was sketching it out when the song “American Woman” came randomly into my head. As songs sometimes do, it just wouldn’t stop! The lyrics just naturally evolved from American woman to American chicken as it was playing in my mind. This made me laugh—and that was that. The whole design and structure of the painting changed. Because the chicken is so complicated in pattern, I wanted to balance it with a very simple background, and I wanted to use primary colors to reinforce the associations with the USA. That’s how art is—the work itself evolves as I paint. I’ll typically start with one idea in mind, then something will happen and I’ll sit back and watch where the painting goes. It’s really fun to be a part of that process—and know that I’m not really the one determining how it comes out. The paintings come through me—some are better than others, but I don’t really take responsibility for any of it. I just sit back and enjoy the ride and I’m happy and grateful to be allowed to be a part of it. I’m not a religious person, but I definitely know that I’m not in control of this artistic process.”

“I appreciate Dana so much!  She always works in a timely manner to get my images done, and she’s been SPOT ON in getting the color matching correct so that the reproductions look like the original artworks.  I trust her completely – and for an artist to say that about someone who is in control of their reproduction color and quality, that’s saying a lot.  She’s the best – and really sweet and pleasant to work with.  Everyone there has been great.”

Contact Rachel at rachel@rachelhurstfineart.com or visit her website.

Featured Graphics: Austin FC Honors St. David’s Healthcare Workers

In conjunction with National Nurse’s Week and National Hospital Week, Austin FC and Founding Partner St. David’s HealthCare teamed up to honor front line healthcare workers with yard signs that read ‘A St. David’s HealthCare Hero Lives Here”. Austin FC is proud to join St. David’s HealthCare to show appreciation for all the Health Care Heroes keeping Austin safe.

 

 

We were lucky enough to be the folks that printed the yard signs for Austin FC – we love working with their phenomenal team and were especially excited to join forces on this project, honoring healthcare workers. What a nice way to say thanks!

Also included is a look at how the Austin FC Stadium is moving along as construction is underway with Austin Commercial as the General Contractor. Located within a mile of our store, we love to see the progress on this Austin Dream in the making! Go Austin FC!

 

Please contact Destenie about your next project, at CSSR@MillerIDS.com.

May Artist of the Month: Josue Jimenez

Josue Jimenez has always loved drawing. He produces artwork for his living as a tattoo artist at Royal Tiger Tattoo with Ben Fiedler. The motto for the South Austin tattoo shop is ‘We are proud to say that we live to tattoo and we love what we do’.

‘Corona Nurse’ is an example of American Traditional. American Traditional tattoo art has clear definition and sharp lines and the images often take an emotion or thought and push it through to the maximum.

They are realistic with a limited color palette of highly saturated black, yellow, green and red. Designs are often iconic and easily recognized by the viewer such as roses, anchors, skulls, eagles, daggers, snakes, and portraits. Death, love, anger, patriotism, and happiness are common themes.

 

April Artist of the Month: Kelsey Archbold

Kelsey Archbold spent her childhood growing up in Anchorage, Alaska. In 2008 she studied interdisciplinary art and ecology at the Burren College of Art in Ballyvaughan, Ireland. In 2009 she graduated with honors from Kansas City Art Institute, with a B.F.A. in painting and fine arts.

She has been featured at the Austin Art Garage, the Art Post, the Knit Show, and has her work installed at the University of Colorado at Boulder. Kelsey currently lives and works in Austin, Texas with her son and two cats.

Featured Graphics: Hemlock & Heather

Our friends over at Hemlock & Heather are great to work with. Our relationship began when Chase Ryan (@chaseryanfurniture on Instagram) introduced Hemlock & Heather owners and founders Kris and Kelley Denby to us.

They were having a hard time keeping up with their supply and demand but didn’t want to compromise on quality. We sat down with Kris and Kelley to discuss their current workflow process and how we could bring some of their handmade pieces in-house to expedite their production.

Once we made a game plan, we direct-printed the chosen color pattern on 1/2-inch MDO board with our flatbed printer, then took it over to our iEcho router to cut custom shapes of all 50 states. The first job we ever did with them was for their stock at Magnolia Market in Waco, one of the places their products are sold. We are so happy to continue working with their wonderful team. Be sure to check out their website and Instagram!

March Artist of the Month: Calhan Hale

Calhan Hale’s maternal family has been rooted in Texas for over 100 years. She grew up in a family of creative, independent and individualistic female role models. Hale received her BA in studio art from the University of Texas at Austin in 2016 and decided to stay in Texas to pursue her art after graduation.

In her most recent work, Calhan uses painting as a way of re-examining and reclaiming parts of her Texas upbringing by bringing Texas iconography into conversation with elements informed by digital experience. She is particularly interested in the ways information is gained and lost as it moves from our own experiences, to our memories, to digital interfaces and then back into a physical object. 

“Texas iconography is naturally loaded; Ideas related to tradition, geography and stereotype meet those surrounding trend, irony and self-expression. Objects, along with people and places, can be the holders of multiple, often contrasting, things at once”, and Calhan is interested in how their context and our own experiences greatly inform the ways we encounter them. 

Calhan believes, “At the intersection of time, place and identity, these works also aim to explore the simultaneous confidence and self-doubt that accompany self-awareness and the attempt to own all of who I am at once”.

“The Miller team has been exceptionally kind to me and beyond helpful with all of my printing needs. I’ve been especially lucky to work closely with Dana and Larry. Before working with Dana at Miller, I didn’t know anything about the process of having artwork professionally scanned or printed. Over the past 9 months or so, Dana has personally walked me through the entire process and has worked carefully with me to ensure that each scan and print of my paintings is as representative of the original piece as possible. And every time I come by the shop, which is often several times a week, Larry greets me with the most genuine warmth and friendliness. Dana, Larry and the Miller team make every printing experience feel like working with trusted friends, and I’m so grateful to get to share a creative community with such wonderful humans! Thank you, Miller!”

February Artist of the Month: Leticia Mosqueda

Leticia Mosqueda was born and raised in Mexico City. Since she was a child, Mosqueda showed great interest in painting and drawing, taking after her father. She spent her spare time illustrating in her notebooks and drawing objects that she saw around her. In high school, on the advice of a teacher, she entered the National Institute of Fine Arts. Mosqueda has a degree in marketing from the Technological Institute of Higher Studies of Monterrey, Campus State of México.

Mosqueda worked as a purchasing manager for Alcampo in Madrid, Spain, Auchan, Comercial Mexicana, and Grupo Modelo. Later, following her passion for studying art, she entered the renowned Academy of San Carlos where she studied different techniques and materials in painting, drawing and composition I and II, and human figure. Additionally, Mosqueda holds workshops on various techniques such as fresco, charcoal, graphite, pastel, watercolor, oil, and acrylic.

She spent 3 years in Austin studying English and art at Austin Community College. Mosqueda had the opportunity to participate in exhibitions at ACC, La Peña, and Big Media. One of her paintings represented ACC in the League of Innovation Competition, and she was selected for her first solo exhibition “My People and their Traditions” at the Dougherty Art Center.

“I met Salvador Rodriguez at ACC, where I saw his fabulous prints. I had never made any reproductions of my paintings before. He recommended Miller IDS’s services to me. Since the first day that I visited your company, everybody was so nice and friendly. Larry was so helpful; he introduced me to Dana, another lovely person. Although my English is not the best, they tried to understand me and gave me excellent service. Dana was always available, and she kept in touch with me. Every scan was on time and even in some cases she helped me make emergency scans. I’m impressed with the quality of each work. On some paintings Dana worked hard to find the exact color of the original painting. I have been selling many prints because people like the quality of the images Miller produces. Unfortunately, I could not find a company in Mexico with the same quality; maybe you need to put a Miller company in my country! I have been recommending Miller’s services to my classmates, artists and friends.”

“This painting (left) was inspired by an amazing photo of a beautiful elder woman in Chihuahua México. She belongs to the Raramuris community, who are characterized by the colors in their clothes. Women have a very important role in the communities. They are the guidance, the pillar of the families, and in many cases the financial support. This woman is a clothing seller. She walks long distances carrying many pieces of clothes in her “reboso” (a big piece of cloth that the women tie in different ways to carry their babies or different things on their backs). I choose this photo because I fell in love with the woman’s expression and her colorful dress.”

Featured Graphics: Raise Your Hand Texas

This past February, alumni teachers, administrators, and influencers in education came together in Austin to raise their voices by sharing ideas to look beyond the status-quo and guide the reinvention of public education in the State of Texas. At their Leadership Symposium this year, Raise Your Hand Texas looked to push its marketing and event materials to the next level through its interactive displays, banners, easel signs, directional signage, as well as a 20’ stage backdrop and 20’ experience wall.

The nonprofit advocacy group supports public policy solutions that “invests in our students, encourage[s] innovation and autonomy, and improve[s] college and workforce readiness.” This year, for their 11thannual Leadership Symposium, Raise Your Hand unveiled the theme “Raise Your Voice.” The three-day interactive event emphasized being heard both on their campuses as well as at the capitol throughout the symposium. More than 300 educators from the event converged on the Capitol to speak directly to their legislators, to make their voices, the voices of their teachers, and the voices of their students and families heard.

From a marketing perspective, Raise Your Hand always takes the Leadership Symposium experience to the next level. The small but talented team looks for ways to push the creative envelope when it comes to presenting the symposium, and the organization. Unique to this year, they partnered with the third-party app Soundwave Art to “enhance the overall experience and bring life to many of our print materials.” They generated 16 soundwaves that were all scannable and featured their own custom-created videos that shared stories of the many voices behind public education.

The print materials highlighted the theme of the symposium and amplified the overall experience through bright colors and eye-catching designs and innovative signage. Miller provided printing of several of the necessities for a symposium of this size—from the direct-to-print directional signage for the conference space itself, to a 20’ Hop-Up that gave a backdrop to presenters and acted as a background for selfies later during the symposium. Miller can provide fun and informational needs for any event. The interactive aspect of the Soundwave Art App elevated the reach of the marketing of the symposium. It allowed Raise Your Hand to push their message further and provide opportunities for educators and administrators attending the event to interact with the content.

Joel Goudeau, Visual Design Strategist for Raise Your Hand Texas, had this to say about working with the Miller Team: “I’ve been working with Miller’s for almost five years. I’ve worked on several projects with Ryan Bruce, and he has always been incredibly responsive and a pleasure to work with. What I appreciate most about Miller’s, and the reason I keep coming back, is their attention to detail and ensuring that the customer gets exactly what they want and expect. Other members of the Millers team that I have had a pleasure of working with in the last 5 years include, Vittoria Mottler, Tim Dupere, Destenie Rhodes, Micah Frugia, and Melissa Hay. I believe you all have played a pivotal role in the execution of our previous conferences and I will gladly recommend your services to other partners.”

March 2019 Artist of the Month: Connie Adcock

Miller IDS is excited to announce our March 2019 Artist of the Month, Connie Adcock with her piece, “Gemstone Guitar.” As we emerge from our (albeit warm) winter, we find our city filled with live music, smiling faces, and lots of perfect days to go to Zilker Park or hang out on the patio of a great restaurant. Adcock’s piece uses bright colors to bring to life the vibrancy of the Austin music scene and is drawn from her life here in the Live Music Capital of the World. We were so inspired by the content and the colors of “Gemstone Guitar” and how they reflect springtime in Austin.

Formerly a first-grade teacher at Colorado Academy in Denver, Adcock retired in 2013 and made her way down to Austin. An art and education major in college, she had always used art during her teaching and now, in her retirement, Adcock focuses her time on creating art. In her exploration, Adcock has used her fascination with colors and repetitions found in nature as well intricate imaginative patterns to bring her art to life. In the beginning of her work, Adcock took on a realistic tone  by drawing inspiration from life experiences. In the past year, however, she branched out and is currently experimenting with a style that combines realism and the abstract. Currently, Adcock has original paintings in two galleries in Salado as well as Galveston, TX and prints of her work in various restaurants and gift shops in Austin and throughout Texas.

Adcock’s inspiration for “Gemstone Guitar” is drawn from her love and experiences of live music in Austin. She immerses herself in the emotions of her paintings and expresses her joy and passion for her work. She notes that in her art, these emotions “run the gamut from thoughtful and introspective to exuberant and wild.” She paints with bright, vivid colors which reflect her cheerful, optimistic, and positive outlooks and stance to life and art. Adcock’s work is heavily influenced by her life experiences including traveling and new discoveries, memories from childhood, and her imagination. “Gemstone Guitar” reminds us of the bright flowers and greenery that appear in Austin during this time of year as well as the live music you hear throughout the city as the weather gets better. As the city comes alive, Adcock has captures the emotional outpouring of excitement and new projects that reverberate throughout Austin. 

Thanks, Connie Adcock, for allowing us to feature you as our March 2019 Artist of the Month. You can find her work up in both of our stores now through March 31st and you can also see “Gemstone Guitar” on the windows of the Prima Dora Gift Shop next to Magnolia Café on South Congress Ave.

You can contact her at cadcocktx@gmail.com or feel free to visit her website at connieadcockart.com