Featured Graphics: Patika Coffee & Superthing Coffee

We are thrilled that we were called on to print signage for Patika coffee on South Lamar.  We produced their safety guidelines and temporary outdoor menu on coroplast and aluminum which make for a durable duo. The folks over at Patika cleverly hung their signage with removable hangers, making sure the signs were secure and weatherproof.

Located at 2159 South Lamar, Patika is open for online and in-person orders. They have plenty of parking at the back of the building and space to wait for your order while maintaining distance from employees and other customers.

We also helped Patika’s sister company, Superthing Coffee, develop contour cut coffee stickers as well as business cards, which created a distinct look for their coffee bags and branding. Superthing is roasted locally and served at Patika as well as Mañana, Brew and Brew, Olamaie, Creature Coffee and a few other places. It is also available online for single purchase and subscriptions at superthingcoffee.com

As you can see, Miller’s takes pride in working with local businesses. Let us help when the time comes to open your business or office. We’d appreciate your support! 

 

 

 

June Artist of the Month: Rachel Hurst

 

Rachel Hurst moved to Austin with her family when she was in fifth grade and is the eighth and youngest child of famed western artist Oleg Stavrowsky and her beloved mother, Carol Stavrowsky. Growing up, she was surrounded by world-class art created by her father and siblings. In this way, she was lucky to be trained in the principals of good painting design and technique through exposure.

No stranger to competition, she spent her childhood devoted to competitive figure skating, she holds a national 8-ball title, and she won a tournament qualifying her to play on the World­­ Series of Poker (where she was summarily kicked to the curb… you can’t win ‘em all!). She formerly competed on the Women’s Professional Billiard Association Tour.

Hurst earned a BA in Psychology from the University of Washington and lived in Seattle for about 10 years before returning to Austin. Hurst is an avid cruciverbalist and lives with her husband Travis and three cats in Austin, Texas.

Rachel began discovering her passion for fine art incorporating two of her favorite things: animals & design.  She utilizes color, pattern, and abstract design to frame the animals in the way they make her feel when she looks at them.  She is well known for her pet portraits, and she donates 10% of all of her art sale profits to animal charities, most notably Safe In Austin.

“Most of my work incorporates some kind of abstract background juxtaposed with a representational animal. I like the contrast of the two styles and think it brings a dynamic to a painting that a traditional background does not. I do paint the occasional traditional background, but it doesn’t usually compel me like creating a complimentary abstract background does. I’ve been painting fine art for just under two years, so my style is definitely still evolving.”

“Part of that evolution includes branching out into what I call more stylized paintings – ones like “American Chicken.” That kind of whimsical, interpretive painting feels like pure joy to me.  I equate it to being like a little kid playing in the mud. Many people don’t really understand that kind of art… so it doesn’t tend to have the same wide commercial appeal as my more representational stuff, but those who appreciate that style really do seem to enjoy it as much as I enjoy painting it. That’s extremely gratifying! The design requirements are the same in an abstract or stylized painting as they are in a representational painting—the composition, balance, and color juxtaposition all need to be diligently designed. In that way, it isn’t any less work for me as the artist—but the freedom to be funny and sometimes goofy with the compositions makes it a different process than with the representational paintings.”

“American Chicken started out as a representational painting. I was sketching it out when the song “American Woman” came randomly into my head. As songs sometimes do, it just wouldn’t stop! The lyrics just naturally evolved from American woman to American chicken as it was playing in my mind. This made me laugh—and that was that. The whole design and structure of the painting changed. Because the chicken is so complicated in pattern, I wanted to balance it with a very simple background, and I wanted to use primary colors to reinforce the associations with the USA. That’s how art is—the work itself evolves as I paint. I’ll typically start with one idea in mind, then something will happen and I’ll sit back and watch where the painting goes. It’s really fun to be a part of that process—and know that I’m not really the one determining how it comes out. The paintings come through me—some are better than others, but I don’t really take responsibility for any of it. I just sit back and enjoy the ride and I’m happy and grateful to be allowed to be a part of it. I’m not a religious person, but I definitely know that I’m not in control of this artistic process.”

“I appreciate Dana so much!  She always works in a timely manner to get my images done, and she’s been SPOT ON in getting the color matching correct so that the reproductions look like the original artworks.  I trust her completely – and for an artist to say that about someone who is in control of their reproduction color and quality, that’s saying a lot.  She’s the best – and really sweet and pleasant to work with.  Everyone there has been great.”

Contact Rachel at rachel@rachelhurstfineart.com or visit her website.

April Artist of the Month: Kelsey Archbold

Kelsey Archbold spent her childhood growing up in Anchorage, Alaska. In 2008 she studied interdisciplinary art and ecology at the Burren College of Art in Ballyvaughan, Ireland. In 2009 she graduated with honors from Kansas City Art Institute, with a B.F.A. in painting and fine arts.

She has been featured at the Austin Art Garage, the Art Post, the Knit Show, and has her work installed at the University of Colorado at Boulder. Kelsey currently lives and works in Austin, Texas with her son and two cats.

Featured Graphics: Hemlock & Heather

Our friends over at Hemlock & Heather are great to work with. Our relationship began when Chase Ryan (@chaseryanfurniture on Instagram) introduced Hemlock & Heather owners and founders Kris and Kelley Denby to us.

They were having a hard time keeping up with their supply and demand but didn’t want to compromise on quality. We sat down with Kris and Kelley to discuss their current workflow process and how we could bring some of their handmade pieces in-house to expedite their production.

Once we made a game plan, we direct-printed the chosen color pattern on 1/2-inch MDO board with our flatbed printer, then took it over to our iEcho router to cut custom shapes of all 50 states. The first job we ever did with them was for their stock at Magnolia Market in Waco, one of the places their products are sold. We are so happy to continue working with their wonderful team. Be sure to check out their website and Instagram!

Featured Graphics: Cushman Wakefield

 Cushman Wakefield was moving into their new space, and with that in mind, they wanted to do some creative and inspiring interior signage. Jordan Newman, Senior Graphic Designer, reached out to us for help.

We installed some awesome wall wraps, one being in the main kitchen area that made a bold statement. We also wrapped a dividing wall that was half glass and half drywall in an image of the Austin skyline. They had one wall that was office space and was divided into 3 parts which we wrapped with a city street map graphic.

Throughout the office space we installed several small wall decals with just graphic text that brought the space together. We used laminated adhesives for the wall coverings. The overall look is very sharp and cohesive, and it was a very fun project to be a part of.

 

Contact one of our sales associates for more details at CSSR@MillerIDS.com.

 

Featured Graphics: Emily Eisenhart & Madewell 

Our graphics feature this month has a different spin … not an installation we printed and installed, but a project we helped with behind the scenes. This month’s featured artist, Emily Eisenhart, came to Dana Burton, our fine art specialist, with a unique request. Madewell, a popular women’s clothing company, had commissioned Eisenhart to design a wall mural announcing one of their stores in Brooklyn. The sign painters at Colossal Media, who were mixing the paint and matching colors by eye, needed color-perfect to-scale print proofs. Dana was tasked with finding the printed colors to match the digital colors.

 

Dana’s good eye for color, along with concentration and patience, allowed her to get a perfect match for each color – and there were more than 20! The resulting printed piece netted a color proof that the painters could use to mix the right colors for the mural spanning 145’ long by 25’ tall! 

Next time you want to go big with your art, but perhaps using non-damaging and easily removed adhesives, contact Miller IDS to print and install your work. This is a great way to personalize or brand your office or home.

To see more of Emily’s work, go here. To connect with Emily:
Website: emilyeisenhart.com and Instagram

 

Featured Graphics: Kissing Tree

We love working with our friends over at Brookfield Residential’s distinctly Texan community, Kissing Tree. Recently we helped with their Camp Kissing Tree project which helps residents of the community identify and connect with neighbors with similar interests. We helped with the project signage in their welcome center, where residents can identify as Foodies, Voyagers (explorers and adventurers), Creators (lovers and doers of art) and Champs (sporting folk). In this new setup, the residents will be able to pin themselves on the map of Kissing Tree, helping build connections within the community.

Located close to San Marcos, Kissing Tree is perfect for those 55 and Better from around the country to visit and live in this Central Texas community. Kissing Tree has pickle ball courts and a golf course, as well a fitness center and multiple pools being constructed currently. The golf court is open to the public which gives you the perfect opportunity to check out the impressive community. If you haven’t been there, it’s worth a visit! To learn more about the legendary living at Kissing Tree, click here.  To learn how to find your own tribe at Kissing Tree, take the quiz at campkissingtree.com

For eye-catching, creative graphic solutions that truly stand out, contact Destenie at 512.381.5276 or email cssr@MillerIDS.com.

 

 

Featured Graphics: Flintco

Flintco moved into their current office space in February of this year, and we were honored to help with their internal branding goals. It’s rare to find customers who have been around as long as we have, and in this case, they’ve been around even longer! Flintco was founded in 1908 by a Native American family who owned the company for more than 100 years. Flintco’s Native American heritage has influenced their business interactions and still drives the company today.

After they were acquired by Alberici, they decided to write an Ethos to recalibrate their mission. The statement came together quickly, being a testament to their intention and the clarity of their Ethos, which continues to resonate today. Tim Garbutt, Flintco’s Director, Corporate Marketing and Communications, said this, “our Ethos gives us unity, provides clarity and is a source of strength”.

They have their Ethos statement posted around the office to remind employees and guests alike of what they are truly about. Flintco’s interior was designed by Page/Dyal, and after winning the bid on the project for Flintco, we got started on printing and installing wall decals of their Ethos statement. Flintco ended up going with matte, easily removable vinyl decals that don’t damage the wall when taken down. They went with a few different colors to make the word wall visually pleasing and to add color to the office. Another design feature we helped create was the graphic photo wall, which we made from a fabric-like wall adhesive that has an ultra-matte finish. Then, for the conference room, we frosted the wall and did a back cut into the vinyl so that it would leave the text clear and readable.

Photographer: Tre Dunham, Fine Focus Photography

Throughout the project, it was clear that Flintco wanted to make their Ethos statement a prominent design feature and reinforce their vision of the “unwavering pursuit of the perfect construction experience” in a bold way. It has been amazing getting to work with with Flintco on this project, and we are so happy with how it looks in their space. You can learn more about Flintoco and their commitment to excellence at their website

Featured Graphics: Endeavor Saltillo

Endeavor wanted a cost effective option to brand the Saltillo Development across multiple blocks. They were looking for a more unique method that showcased a fun, creative and artsy feel to vibe with the east side. Ryan Bruce, our Graphics Account manager, suggested lower cost printing (on our HP PageWide printers in our repro department) and a wheat paste application versus vinyl banners or adhesive wall wraps. In addition to being a lower-cost alternative, another ideal feature is that when one piece is damaged, individual sheets can easily be replaced or even pasted on top of the old as an additional layer.
 
Plaza Saltillo Development has been in the works for decades, and Endeavor has been on the project since early 2017.

Also, congrats to Endeavor for their selection for the next acclaimed project, the development of the Austin American Statesman site on the south side of Lady Bird Lake. Read more on the selection process from earlier this year or more recent news.

For eye-catching, creative graphic solutions that truly stand out, contact Destenie at 512.381.5276 or email cssr@MillerIDS.com.

Estimated opening dates:
Juiceland: August 15th
Snooze: August 28th
Orange Theory: September
Chipotle: end of the year
Hopdoddy Burger Bar: February 2020
Target and Whole Foods: early 2020
 
 

 

I spy a Snooze in the makings! 

Featured Graphics: Raise Your Hand Texas

This past February, alumni teachers, administrators, and influencers in education came together in Austin to raise their voices by sharing ideas to look beyond the status-quo and guide the reinvention of public education in the State of Texas. At their Leadership Symposium this year, Raise Your Hand Texas looked to push its marketing and event materials to the next level through its interactive displays, banners, easel signs, directional signage, as well as a 20’ stage backdrop and 20’ experience wall.

The nonprofit advocacy group supports public policy solutions that “invests in our students, encourage[s] innovation and autonomy, and improve[s] college and workforce readiness.” This year, for their 11thannual Leadership Symposium, Raise Your Hand unveiled the theme “Raise Your Voice.” The three-day interactive event emphasized being heard both on their campuses as well as at the capitol throughout the symposium. More than 300 educators from the event converged on the Capitol to speak directly to their legislators, to make their voices, the voices of their teachers, and the voices of their students and families heard.

From a marketing perspective, Raise Your Hand always takes the Leadership Symposium experience to the next level. The small but talented team looks for ways to push the creative envelope when it comes to presenting the symposium, and the organization. Unique to this year, they partnered with the third-party app Soundwave Art to “enhance the overall experience and bring life to many of our print materials.” They generated 16 soundwaves that were all scannable and featured their own custom-created videos that shared stories of the many voices behind public education.

The print materials highlighted the theme of the symposium and amplified the overall experience through bright colors and eye-catching designs and innovative signage. Miller provided printing of several of the necessities for a symposium of this size—from the direct-to-print directional signage for the conference space itself, to a 20’ Hop-Up that gave a backdrop to presenters and acted as a background for selfies later during the symposium. Miller can provide fun and informational needs for any event. The interactive aspect of the Soundwave Art App elevated the reach of the marketing of the symposium. It allowed Raise Your Hand to push their message further and provide opportunities for educators and administrators attending the event to interact with the content.

Joel Goudeau, Visual Design Strategist for Raise Your Hand Texas, had this to say about working with the Miller Team: “I’ve been working with Miller’s for almost five years. I’ve worked on several projects with Ryan Bruce, and he has always been incredibly responsive and a pleasure to work with. What I appreciate most about Miller’s, and the reason I keep coming back, is their attention to detail and ensuring that the customer gets exactly what they want and expect. Other members of the Millers team that I have had a pleasure of working with in the last 5 years include, Vittoria Mottler, Tim Dupere, Destenie Rhodes, Micah Frugia, and Melissa Hay. I believe you all have played a pivotal role in the execution of our previous conferences and I will gladly recommend your services to other partners.”